![]() ![]() The only real limitation is the non-constant aperture. The cherry on top for video makers is that it behaves like a para-focal lens (the focus point doesn’t change when zooming in or out). The AF motor is fast and silent as you would expect from this kind of product. It can take 67mm filters making it a more convenient choice if you like long exposures photography. ![]() The build quality is premium with an all-metal construction, weather sealing, and precise and smooth rings. Second, it offers a nice balance between size, weight and price in comparison to the larger and more expensive M.Zuiko 7-14mm f/2.8. The only thing you’ll come across are small ghost flares when shooting into direct light. There is no vignetting, chromatic aberration or distortion to speak of. The 23cm minimum focus distance is constant through the entire zoom range and the bokeh is surprisingly pleasant. Our favourite: Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH.Įquivalent field of view in 35mm format: 16-36mmĪfter reviewing this lens two yeas ago, it immediately became our favourite of all the wide angle zoom lenses we’ve tested.įirst of all, the optical quality is superb across the frame – it’s the very best the system has to offer. Although wide-angle zooms don’t provide the same flexibility as standard zooms, they start from a shorter focal length and give you an interesting range of fields of view to work with. You can’t beat the convenience and versatility of a zoom lens. Wide Angle Zoom Lenses for Micro Four Thirds To know more about our ethics, you can visit our full disclosure page. If you decide to buy something after clicking the link, we will receive a small commission. Within the article, there are affiliate links. We were not asked to write anything about these products, nor were we provided any compensation of any kind. I prefer to mention this here rather than repeating the same sentence throughout the rest of the article.Įthics statement: All opinions expressed in this article are based on our real-world experience with each lens. Olympus and Panasonic rely on in-body image stabilisation (5-axis stabilisation) and, except for older models, most of the current line-up has IBIS (excluding specialised cameras such as the GH5S). Note II: all the lenses listed here lack optical stabilisation. I’ve mentioned these products briefly at the end with a few useful links to full comparison articles. However to keep the article more concise, I’ve excluded them from the main list. Note: many standard zooms (including kit lenses) have a range that starts from 12mm or 14mm, allowing them to qualify as wide angle lenses. We are lucky enough to have tested and compared most of these lenses, so listing them along with our personal recommendations felt like the next logical step. The Micro Four Thirds system has been around for some time now so there is a good amount of choice, regardless of whether you prioritise high quality, portability or affordability. They are great companions for landscapes, architecture and astro-photography, but also work well for events and other genres where a wide angle of view can enrich your work and vision. Wide-angle lenses can be a lot of fun because they allow you to play with perspective and geometry like no other type of lens.
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